Critically Honor

2/5 ONE WORD REVIEW: BAD The Madness of George III is just quite dull and not very well-done. It seems like any other performance of the...

5/5 ONE WORD REVIEW: PHENOMENAL Adapted to the stage by Helen Edmundson, the plot of Andrea Levy’s novel is inspiringly awe worthy. The...

4/5 ONE WORD REVIEW: STRONG Without a doubt, this is one of the best performances of Tom Hiddleston’s career. Not only his incredible...

5/5 ONE WORD REVIEW: FULL-ON There is so much going on in this week’s National Theatre Live. Their use of physical theatre, and the...

5/5 ONE WORD REVIEW: EXEMPLARY The National Theatre Live’s best production published on their YouTube this quarantine. Not only is the...

3/5 ONE WORD REVIEW: DISJOINTED The Leeds Playhouse’s production is rather bitty. While giving the audience insight into various...

4/5 ONE WORD REVIEW: SIMILAR Phoebe Waller-Bridge’s famous TV show ‘Fleabag’ originated from a one-woman show performed at the Edinburgh...

4/5 ONE WORD REVIEW: STUNNING A performance that would blow even a non-theatre lover away. Sophie Okonedo and Ralph Fiennes are...

4/5 ONE WORD REVIEW: BRAVE Each night, Johnny Lee Miller and Benedict Cumberbatch alternated between the roles of the Creature and Victor...

5/5 The National Theatre brings Shakespeare’s classic narrative to a more modern setting. Tamsin Greig as Malvolio steals the show, but...

2/5 ONE WORD REVIEW: AESTHETIC Robert Louis Stevenson’s narrative works better as a book than on the stage, but the National Theatre’s...

5/5 ONE WORD REVIEW: ENTERTAINING Such an enjoyable family watch. The National Theatre’s audience enhanced James Corden’s brilliant...

4/5 ONE WORD REVIEW: MIND-BLOWING A cleverly devised performance of Charlotte Brontë’s classic with a young cast, who multi-role, and...

4/5 ONE WORD REVIEW: SHOCKING Terribly sad and horrific yet evokes laughter at some inappropriate moments. It is basically a one-man...